Hidden gems

Hi, it’s Esme again for one last belated post,

During my time at Colchester + Ipswich Museums I worked on a major collections project, which involved moving objects. As we spent time working with them, we were able to wonder at the wonderful and complex collections in front of us. There were many hidden gems, so I thought I’d share a few of the interesting finds I encountered… and those that I remembered to photograph.

IMG_0031

I very carefully helped to refresh some of the packaging, using materials such as acid free tissue. By using this, we can protect objects while they are in storage. For example, if an object is heavy, we would support the whole surface in order to relieve areas of stress. This would prevent any further damage happening and preserve our incredible collections for others in the future.

IMG_0030

Re-labeling was also an important job. This label for a North Sea Oyster shell from Brightlingsea was in a fragile state due to age and will require paper conservation. For new labels we used specialist pens that have an inert ink, which wouldn’t damage or react with the objects.

IMG_8569

I worked on a draw of lead samples, which was incredibly heavy! Lead is very toxic so I had to wear nitrile gloves and make sure not to scratch my itchy nose (or accidentally lick any of the specimens!). Some of the samples I encountered were quite plain, but others were more detailed with crystals scattered over surfaces…

The sample on the left was giant and made up of barite crystals covering lead galena (a lead based ore). It may not be a native mineral to Colchester, but it is relevant to our collections, as ancient people such as the Romans would have smelted this rock to obtain lead; an important metal that was used to make water pipes!

From a first glance it was difficult to imagine where and how such objects would have been found. These kind of details are recorded by museums on a collections database. Each object is assigned a number and the location is logged. It’s then possible to recall more detailed information. Often, people undertaking research may need to study a specific part of a collection. In the meantime, the museum staff will be looking after it.

IMG_0018

Large and delicate coral structures (about as big as a dinner plate to give you some idea) are also part of the natural science collections at Colchester Museums and proved challenging to repack. Each object was individually assessed and extra care taken when handling. The corals got repacked into suitably sized boxes, where their surfaces are protected by inert packaging and their weight better supported.

If you would like to join see more top finds from the collections at Colchester, then head over to @ColMuseums and @EssexFlo. They regularly share objects from the stores, so keep checking in to see what the team uncover!

Esme

Trainee expiry date:

Hello, Esme, Michael and Mark here!

Esme

Esme tour 1
Firing arrows from the Castle roof

We reach our Trainee expiry date today, having learnt and accomplished much. Highlights have included:

From gathering earlier this week we all agreed that from our experiences, people really do make a museum (along with collections!), so thank you Colchester + Ipswich Museums for having us!

Mark

Munnings Documenting on Computer
Recording information

The last 12 months have been one of the most exciting experiences in my life. Over the year, I have managed to utilise the traineeship in a way that suits my skills and interests. One of the main things I have enjoyed is the fact of working in a museum. By actually working in the sector, it has given me a new insight that I would not have gained by just being a visitor. Another brilliant aspect of the job was being able to network with lots of interesting people and as a result, I have made great contacts. From a young boy, straight out of college starting this job, I have emerged as an individual who has a greater awareness of the working world.

Michael

last-blog
Working with the World Cultures collection

Michael here one last time. I have had a wonderful year and when I think back over it, there are so many fascinating moments to remember…

  • the surprise I felt at how heavy a Gainsborough painting was, as we hung the Twists and Turns exhibition
  • loving the smell of Native American beaded moccasins
  • the delicacy of Roman glass and pots as we measured them
  • the vivid intensity of African wooden figures as we checked them for documentation labels
  • the round loveliness of South American Huacos pots
  • the feel of a rust-encrusted Anglo Saxon spearhead as I worked on it’s conservation
  • the joy of opening boxes and boxes of exquisite drawings and watercolours on my digitisation project

Other extraordinary happenings include removing huge Tudor portraits at Christchurch Mansion using a cherry picker, throwing teddy bears in parachutes off a Tudor balcony and witnessing Mark skipping around the Great Hall dressed as the Forgetful Elf! Add in the conference trip to Edinburgh, along with engrossing study days at the British Museum and Ely, and I must conclude it has been a marvellous and rewarding year.

Dorset County Museum Autism Access Panel: A Holiday of Work

Hello again everyone!

I regret to inform you all that this will be my last solo post for the Training Museum. As good as this role has been, it only lasts 12 months. But alas, we shall make this a final post to remember! As today I will write about how I have capitalised on my networking skills, that have in turn led me to a little trip to Dorset County Museum……

I was given a rather interesting opportunity that relates well to my work at Ipswich. It came about as a result of my participation in the Transformers Diversify Programme (read this for a reminder of Transformers) at an event called “Museums in Action” at the Lightbox, Woking.

It was here that I met the brilliant Liz Selby, Exhibitions Development Manager at Dorset County Museum who is also on the Transformers programme, albeit a different strand. After a great conversation about what we would like to achieve in our museums, and on mention of my Autism project, we discovered a mutual partnership opportunity.

Liz was interested in having guidance from the local Autism community about how to improve accessibility to Dorset County museum. She wanted to hold an access panel meeting at her museum where she’d invite members of the Autistic community, and involve them in the planning of how to make the museum more autism friendly. In a very fortunate coincidence, I happened to be going on holiday to that area of the country at the same time as the meeting was being held, so I was given an invite!

Fast forwarding to the day itself, I arrived at Dorchester where the museum stands in the middle of the town centre. It was great to be reacquainted with Liz, and I was also introduced to her colleague: Emma Talbot, Education manager. I was also introduced to Jack Welch who is a keen and experienced Autism advocate, and has been called in to help the museum achieve its goals. One of his assignments includes chairing the panel meeting to come.

At the meeting we had five other people who are on the Autistic spectrum in some capacity, in a way that they self-define. They all had brilliant ideas based on their own experiences about how the museum can better accommodate for them. They were also a diverse mix of old and young, male and female, so there were a variety of answers too.

It was indeed a constructive meeting. There were many breakout sessions looking at different aspects of the museums accessibility. We reviewed the access statement on the website, how we could make it more clear and visually better. We also spoke about the spaces in the museum that would make a best quiet space. Overall there was many learning points for Liz and Emma to take on and I am glad that I was able to help.

What was most valuable for me was the learning I took from it. This is potentially an approach that could work well with Ipswich Museum. Community involvement within your own museum is very important and if you can appeal to diverse audiences for their ideas, you can really show how willing your museum is to accommodate for those who may otherwise not come to a museum. When we do further work with Autism Access in the future, than this is something to consider!

Dorset Group Picture

I thought to finish it off here is a group picture of the brilliant people who took part in the panel. An additional big thank you to Liz and Emma for their invite which I most enjoyed and benefited from!

And of course a big thank you to everyone who have been reading my posts over my Traineeship.

Take care, and if I haven’t given enough advertisement: Visit Colchester and Ipswich Museum Service Now!!!

Mark

 

 

 

 

The Uploading Life

Michael here again with one last blast!

The highlight of my time at Colchester + Ipswich Museums has been digitising part of the works on paper collection in Ipswich. It has proved to be an absorbing project, which has involved delving deeply into the artwork storage boxes at Christchurch Mansion. I have worked with two fantastic and dedicated volunteers over the past three months and we have discovered some wonderful treasures along the way.

The process began with scanning and documenting the drawings, prints and watercolours. The collection includes some fabulous artists and it has been a great privilege to study up close these wonderful artworks. We have digitised 496 pictures from a wide range of artists, including George Frost, John Sell Cotman, John Crome, Philip Wilson Steer and Thomas Churchyard. All are highly regarded East Anglian artists with an international reputation. We noted the work’s condition, measurements and any marks, labels or notes on the reverse, as well as gathering any other relevant information from the files.

We then moved to the offices at Ipswich Museum and began the process of uploading the files to the Art UK website. This has been a particularly exciting element of the project for me. I am delighted to be helping make available online some rarely seen parts of the collection.

Art UK was formerly known as BBC Your Paintings and is an extraordinary resource for art lovers, as it features all the oil paintings in every British public collection. Their new venture is to feature all the works on paper and, as I regularly use the website myself, it is a great thrill to find myself contributing to this. We have uploaded over 300 pictures, which will be appearing on the website in the next few weeks and I feel proud to have been a part of it.

George Frost
George Frost

Michael

A life of their own

Hi, Esme again,

Sharing a few more photos that I have stumbled across while sifting for images for the Colchester + Ipswich Museums website.

The photos and objects that have stood out are the ones that have a little bit of personality.  I found these images of a seal being moved by the team at Ipswich Museum amusing. It is a taxidermy seal, but it is hard to tell! I was also drawn to them as the seal is totally out of context.

DSCN1208

Ipswich Museum has a wide variety of collections from around the world. Just writing this post has made me realise how much less familiar I am them in comparison to Colchester Castle. Below is an image from the Egyptian collections. Was the Ancient Egyptian that this was made for quite mischievous?

2 Temple Place, Ipswich Museum

Looking through the photos, it made me realise how much we can attribute personality to objects. In museums our job is to tell the story of the object and something about it’s history. Sometimes this can be difficult, but in these examples, their expressions give them a life of their own.

If you have any captions for them please add them in the comments below!

Until next time,

Esme

My Trainee Journey – A reflection of (almost) a year in museums

Hello again

The end is nigh for my, and my remaining colleagues’ traineeship. It is rather scary, as it only feels like last month we had our induction week.

I have been on leaps and bound these last 11 months. I’ve achieved things I never thought I would, and learned every step of the way. From documenting African collections and Munnings’ sketchbooks, to project management around Autism accessibility, and not to mention all those fun work trips and conferences like Moving on Up and Transformers.

What I am keen to write about is my perception of museums in general, before and at the end of my traineeship. Everyone who works in museums, always says “you will never visit/look at a museum/exhibit in the same way again!” and this is certainly true. For example, when visiting my brother in Glasgow, I went on a trip to the Riverside Museum and I actually enjoyed it more than the art museums I used to always see and love.

I could write a whole thesis on this, but I’ll stick to my main points. The reason I particularly enjoyed the Riverside is because I now have a better understanding of museums, rather than JUST the collections, as I did before the traineeship.

Museums are more than simply physical buildings of historic objects, as I have learned through The Training Museum and from everyone of my colleagues at Ipswich, regardless of their role or position.

They are the centre of a community. The objects and history are the core of a museum, this I have no doubt, but they do not define it. Rather they are a strong case for having a presence in the community.

Without going off on one, I want to conclude by saying: next time you are visiting a museum and you see a Tudor Cap dating 1504, or a master class painting from the 20 century, remember that there is so much more going on around those objects, and museums are, and always will be, striving to change lives.

Phew! A bit of an article, but I hope you get my drift.

Until next time

Mark

[I dedicate to this post to every colleague in the last 12 months who has made this traineeship a success.]

 

The Keys to the Museum

Hello, Michael here again.

It’s been quite a task this past year getting to know the innumerable keys for the different museum buildings. Large ones, small ones, even tiny ones! Old keys, as well as new keys. Silver, gold and bronze keys. One has a bit of red tape, another has a B written on it. One has a triangular head, another looks like a helmet. No one knows what this other key is for.

The keyholes also pose a bit of a challenge. Some are difficult to manoeuvre, they need to be waggled or tugged in a certain way before the mechanism will respond. You need to get to know them. Others turn anti-clockwise. Some keyholes are very hard to get at and involve crouching or stretching to reach them. There are doors that push open, doors that pull out, screens that slide across or shutters that lift. Large historic locks with big black keys are my personal favourite. It is very satisfying to unlock the main door to Christchurch Mansion.

oman keys
Roman keys from Castle Hill Villa, Ipswich

The process of getting to know all the keys has gone hand in hand with understanding the job. It is a happy experience now to open up in the mornings. I know what key unlocks each door and the whole process glides along like a pleasing ritual that must be performed every day.

key2

There are dangers however. The jangle of a large set of keys is very uplifting, but it’s also something to be wary of. Walking through the museum at closing time and jingling your keys can lead to an over-inflated sense of self-importance. ‘It’s time to go home!’ they tell the last few visitors in an officious manner as we roll towards 5pm. This feeling is quickly pricked when you realise you still haven’t quite got the hang of all the alarms and security settings (luckily the Duty Officer has) and that there is always plenty more to learn in this job.

Michael